i suppose the effect could be reduced on the drum loop or maybe some parametric could cut some overlap or boost something outside the overlap. i’m sure mr. blinder already knows a lot more of those tricks than i do though. plus i’m still not sure the overlap is bad. i like the way everything starts out sounding the same and then gets some clarity a little ways in.

on repeated listens, i really hear the constant waiting.

thank you! yes, that was my goal is to create a blend of non-electronic with the electronic to create the progression from birth to death. does that make sense?

thanks for listening, glad i did something right.

you may not be way off base, i was trying to make it fall into a limited frequency range, but perhaps i should expand that a little, i mean the bass line is consistent throughout the entire song, i never changed that, but perhaps the junk drum sample could use some attention, fall into a higher register, so that the piano and guitar sit in that low-mid frequency range, where the all the warmth is, and the drums are to be more like machines.

but thanks for listening, good comment, good critical listening

Other than that, it’s a nice, smooth song. Like an audio massage, it releases the tension from your muscles and mind, like the final moments before falling asleep.